{"id":211615,"date":"2018-05-25T10:31:13","date_gmt":"2018-05-25T10:31:13","guid":{"rendered":"https:\/\/www.fundacionyuste.org\/?p=211615"},"modified":"2018-05-25T10:31:13","modified_gmt":"2018-05-25T10:31:13","slug":"presentation-of-the-book-la-exposicion-como-recolonizacion-exposiciones-de-arte-latinoamericano-en-el-estado-espanol","status":"publish","type":"post","link":"https:\/\/www.fundacionyuste.org\/en\/presentation-of-the-book-la-exposicion-como-recolonizacion-exposiciones-de-arte-latinoamericano-en-el-estado-espanol\/","title":{"rendered":"PRESENTATION OF THE BOOK LA EXPOSICI\u00d3N COMO RECOLONIZACI\u00d3N. EXPOSICIONES DE ARTE LATINOAMERICANO EN EL ESTADO ESPA\u00d1OL"},"content":{"rendered":"

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ACTIVITIES<\/h1>\n

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14th<\/sup> of June 2018, at La Central Library of the Reina Sof\u00eda Museum, (Madrid).<\/strong><\/p>\n

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La exposici\u00f3n como recolonizaci\u00f3n: exposiciones de arte latinoamericano en el Estado espa\u00f1ol (1989-2010)<\/strong>, by Francisco Godoy Vega, is the result of the doctoral thesis defended at the National Autonomous University of Mexico (UNAM) in 2015, winner of the 3rd<\/sup> Research Prize CEXECI to Doctoral Theses \u201cFernando Mangas\u201d<\/em>; a call launched by the Extremaduran Centre for Studies and Cooperation with Ibero-America (CEXECI) -which has now become the European and Ibero-American Academy of Yuste Foundation- in 2017. Through archive research and interviewing curators, artists and cultural managers, the book makes a criticism of Eurocentric thinking, analysing the different readings concerning Latin American art through exhibitions carried out in the Spanish State during the last decades. From an anticolonial perspective, the book carries out a geopolitical study of the relations that the Spanish art system establishes with its former colonies and it deals with the symbolic, political and economic connotations within the curatorial projects analysed. Apart from a detailed review of paradigmatic exhibitions, such as Principio Potos\u00ed <\/em>(2010), Versiones del Sur<\/em> (2000), Plus Ultra<\/em> (1992) and Arte en Iberoam\u00e9rica<\/em> (1989), the book presents historical moments of tension and transformation within the art system as well as a brief history of the exhibitions of the former colonies in the Spanish State since the end of the nineteenth century and a genealogy of the construction of the concepts \u201cLatin America\u201d and \u201cLatin American Art\u201d.<\/p>\n

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Francisco Godoy Vega<\/strong>\u00a0(Santiago, Chile, 1983). Chilean curator, teacher and poet residing in Madrid. He has worked as a professor in the Department of History and Theory of Art of the UAM (2015-2017) and has been a researcher at the Reina Sof\u00eda Museum (2009-2011, 2014-2016). He has published poetry books: La revoluci\u00f3n de las ratas<\/em> (Madrid, Esto no es Berl\u00edn, 2013) and La enfermedad del sudaca<\/em> (Valencia, FEA, 2018) as well as articles in books, such as Pensar los estudios culturales desde Espa\u00f1a<\/em> (Madrid, Verbum, 2012), Par\u00eds\/M\u00e9xico, capitales del exilio<\/em> (M\u00e9xico, Fondo de Cultura Econ\u00f3mica, 2014) and Decolonising Museums<\/em> (Brussels, L\u2019Internationale Online, 2015). He has co-edited the book No existe sexo sin racializaci\u00f3n<\/em> (Ayllu, Madrid, 2017, with Leticia Rojas). He has also been the curator of samples such as Chile Vive. <\/em>Memoria activada<\/em> (CCE, Santiago, 2013), Cr\u00edtica de la raz\u00f3n migrante<\/em> (La Casa Encendida, Madrid-CCE, Asunci\u00f3n, Tegucigalpa and Mexico DF, 2014-2016, with Carolina Bustamante), Colectivo Acciones de Arte <\/em>(CADA), 1979-1985 (MNCARS, Madrid, 2016) and Multitud Marica<\/em>. Activaciones de archivos sexo-disidentes en Am\u00e9rica Latina <\/em>(MSSA, Santiago, 2017, with Felipe Rivas). He is currently preparing the exhibition Todos los tonos de la rabia. Po\u00e9ticas y pol\u00edticas antirracistas (MUSAC, Le\u00f3n, 2018, with Carolina Bustamante). He is a member of the group El Real Archivo Sudaca and Ayllu and resides in Matadero, Madrid.<\/p>\n

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\"\"\u00a0INVITATION<\/a><\/p>\n

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ACTIVITIES 14th of June 2018, at La Central Library of the Reina Sof\u00eda Museum, (Madrid). La exposici\u00f3n como recolonizaci\u00f3n: exposiciones de arte latinoamericano en el Estado espa\u00f1ol (1989-2010), by Francisco Godoy Vega, is the result of the doctoral thesis defended at the National Autonomous University of Mexico (UNAM) in 2015, winner of the 3rd Research […]<\/p>\n","protected":false},"author":3,"featured_media":211567,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"

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ACTIVIDADES<\/h1>

[\/et_pb_text][\/et_pb_column][et_pb_column type=\"3_4\"][et_pb_post_title admin_label=\"T\u00cdTULO DE LA ACTIVIDAD (Autom\u00e1tico)\" meta=\"off\" featured_image=\"off\" _builder_version=\"3.0.85\" title_level=\"h2\" title_font=\"Muli|700||on|||||\" title_font_size=\"20px\" custom_padding=\"6px|||\"]<\/p>

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Librer\u00eda La Central del Reina Sof\u00eda, (Madrid), 14 de junio de 2018.<\/strong><\/p>

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La exposici\u00f3n como recolonizaci\u00f3n: exposiciones de arte latinoamericano en el Estado espa\u00f1ol (1989-2010)<\/strong>\u00a0de Francisco Godoy Vega, es el resultado de la tesis\u00a0doctoral defendida en la UAM en 2015 y ganadora del\u00a0III Premio de Investigaci\u00f3n CEXECI a Tesis Doctorales \"Fernando Serrano Mangas\", que convoc\u00f3 en 2017 el Centro Extreme\u00f1o de Estudios y Cooperaci\u00f3n con Iberoam\u00e9rica (CEXECI), hoy\u00a0Fundaci\u00f3n Academia Europea e\u00a0Iberoamericana de Yuste. A trav\u00e9s de la investigaci\u00f3n de archivo y entrevistas a curadores, artistas y gestores culturales, el libro plantea una\u00a0cr\u00edtica al pensamiento euroc\u00e9ntrico\u00a0analizando las lecturas que\u00a0se han hecho\u00a0sobre el arte latinoamericano\u00a0a trav\u00e9s de exposiciones presentadas en el Estado espa\u00f1ol las \u00faltimas d\u00e9cadas\u00a0. Desde una perspectiva\u00a0anticolonial,\u00a0La exposici\u00f3n como recolonizaci\u00f3n<\/em>\u00a0realiza un estudio geopol\u00edtico de las relaciones que el sistema del arte espa\u00f1ol establece con sus ex colonias, as\u00ed como discute las connotaciones simb\u00f3licas,\u00a0pol\u00edticas y econ\u00f3micas que\u00a0est\u00e1n detr\u00e1s de los proyectos curatoriales analizados.\u00a0Adem\u00e1s de un detallado repaso por exposiciones paradigm\u00e1ticas como\u00a0Principio Potos\u00ed\u00a0<\/em>(2010),\u00a0Versiones del Sur\u00a0<\/em>(2000),\u00a0Plus Ultra\u00a0<\/em>(1992) y\u00a0Arte en Iberoam\u00e9rica\u00a0<\/em>(1989), el libro plantea momentos hist\u00f3ricos de\u00a0tensi\u00f3n y transformaci\u00f3n en el sistema del arte, as\u00ed como\u00a0una breve historia de las exposiciones de las ex colonias en el Estado espa\u00f1ol desde fines del siglo XIX y\u00a0una genealog\u00eda de la construcci\u00f3n de los conceptos \"Am\u00e9rica Latina\" y \"Arte Latinoamericano\".<\/p>

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Francisco Godoy Vega\u00a0<\/strong>(Santiago, Chile, 1983). Curador, docente y poeta chileno radicado en Madrid. Ha sido profesor del Departamento de Historia y Teor\u00eda del Arte de la UAM\u00a0\u00a0(2015-2017)\u00a0e investigador del Museo Reina Sof\u00eda\u00a0(2009-2011, 2014-2016).\u00a0Ha publicado los libros de poes\u00eda\u00a0La revoluci\u00f3n de las ratas\u00a0<\/em>(Madrid, Esto no es Berl\u00edn, 2013) y\u00a0La enfermedad del sudaca\u00a0<\/em>(Valencia, FEA, 2018), adem\u00e1s de art\u00edculos en libros como\u00a0Pensar los estudios culturales desde Espa\u00f1a<\/em>\u00a0(Madrid, Verbum, 2012),\u00a0Par\u00eds\/M\u00e9xico, capitales del exilio<\/em>\u00a0(M\u00e9xico, Fondo de Cultura Econ\u00f3mica, 2014) y\u00a0Decolonising Museums\u00a0<\/em>(Bruselas, L\u2019Internationale Online, 2015).\u00a0Ha co-editado el libro\u00a0No existe sexo sin racializaci\u00f3n\u00a0<\/em>(Ayllu, Madrid, 2017, con Leticia Rojas).\u00a0\u00a0Tambi\u00e9n ha sido curador de muestras como\u00a0Chile Vive. Memoria activada (<\/em>CCE, Santiago, 2013),\u00a0Cr\u00edtica de la raz\u00f3n migrante<\/em>\u00a0(La Casa Encendida, Madrid-CCE, Asunci\u00f3n, Tegucigalpa y M\u00e9xico DF, 2014-2016, con Carolina Bustamante),\u00a0Colectivo Acciones de Arte (CADA), 1979-1985<\/em>\u00a0(MNCARS, Madrid, 2016) y\u00a0Multitud Marica. Activaciones de archivos sexo-disidentes en Am\u00e9rica Latina\u00a0<\/em>(MSSA, Santiago, 2017, con Felipe Rivas). Actualmente prepara la exposici\u00f3n\u00a0Todos los tonos de la rabia. Po\u00e9ticas y pol\u00edticas antirracistas\u00a0<\/em>(MUSAC, Le\u00f3n, 2018, con Carolina\u00a0Bustamante).\u00a0Es miembro de los colectivos El Real Archivo Sudaca\u00a0y Ayllu, residente en MataderoMadrid.<\/p>

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\"\"\u00a0INVITACI\u00d3N<\/a><\/p>

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