{"id":211789,"date":"2016-09-04T11:48:39","date_gmt":"2016-09-04T11:48:39","guid":{"rendered":"https:\/\/www.fundacionyuste.org\/?p=211789"},"modified":"2020-03-18T12:01:01","modified_gmt":"2020-03-18T12:01:01","slug":"el-museo-nacional-de-bellas-artes-de-la-habana-y-la-coleccion-de-retratos-de-la-pintura-espanola-del-siglo-xix","status":"publish","type":"post","link":"https:\/\/www.fundacionyuste.org\/en\/el-museo-nacional-de-bellas-artes-de-la-habana-y-la-coleccion-de-retratos-de-la-pintura-espanola-del-siglo-xix\/","title":{"rendered":"El Museo Nacional de Bellas Artes de La Habana y la colecci\u00f3n de retratos de la pintura espa\u00f1ola del siglo XIX"},"content":{"rendered":"<p>[et_pb_section bb_built=&#8221;1&#8243; _builder_version=&#8221;3.0.47&#8243; inner_width=&#8221;auto&#8221; inner_max_width=&#8221;none&#8221;][et_pb_row admin_label=&#8221;ENCABEZADOS&#8221; _builder_version=&#8221;3.0.85&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;90%&#8221; max_width=&#8221;1080px&#8221;][et_pb_column type=&#8221;1_4&#8243; custom_padding__hover=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;TITULO SECCI\u00d3N&#8221; _builder_version=&#8221;3.0.85&#8243; text_font=&#8221;Muli|600|||||||&#8221; text_font_size=&#8221;33px&#8221; text_text_color=&#8221;#7cda24&#8243; text_text_shadow_style=&#8221;preset3&#8243; text_text_shadow_color=&#8221;rgba(0,0,0,0.28)&#8221; header_font_size=&#8221;31px&#8221; header_text_shadow_style=&#8221;preset3&#8243; text_orientation=&#8221;right&#8221; module_alignment=&#8221;right&#8221; custom_padding=&#8221;|20px||&#8221; header_font=&#8221;Muli||||||||&#8221;]<\/p>\n<h1>PUBLICACIONES<\/h1>\n<p>[\/et_pb_text][\/et_pb_column][et_pb_column type=&#8221;3_4&#8243; custom_padding__hover=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221;][et_pb_text admin_label=&#8221;TITULO COLECCI\u00d3N&#8221; _builder_version=&#8221;3.0.85&#8243; text_font=&#8221;Muli|600|||||||&#8221; text_font_size=&#8221;33px&#8221; text_text_color=&#8221;#7cda24&#8243; text_text_shadow_style=&#8221;preset3&#8243; text_text_shadow_color=&#8221;rgba(0,0,0,0.28)&#8221; header_font_size=&#8221;31px&#8221; header_text_shadow_style=&#8221;preset3&#8243; module_alignment=&#8221;right&#8221; custom_padding=&#8221;|20px||&#8221; header_font=&#8221;||||||||&#8221; header_2_font=&#8221;Muli||||||||&#8221; custom_margin=&#8221;5px|||&#8221; text_orientation=&#8221;left&#8221;]<\/p>\n<h2>NOMBRE DE LA COLECCI\u00d3N<\/h2>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=&#8221;3.0.47&#8243; background_size=&#8221;initial&#8221; background_position=&#8221;top_left&#8221; background_repeat=&#8221;repeat&#8221; width=&#8221;90%&#8221; max_width=&#8221;1080px&#8221;][et_pb_column type=&#8221;1_4&#8243; custom_padding__hover=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221;][et_pb_sidebar area=&#8221;et_pb_widget_area_6&#8243; _builder_version=&#8221;3.27.4&#8243; header_font=&#8221;|700||on|||||&#8221; body_font=&#8221;Muli||||||||&#8221; text_shadow_horizontal_length=&#8221;text_shadow_style,%91object Object%93&#8243; text_shadow_horizontal_length_tablet=&#8221;0px&#8221; text_shadow_vertical_length=&#8221;text_shadow_style,%91object Object%93&#8243; text_shadow_vertical_length_tablet=&#8221;0px&#8221; text_shadow_blur_strength=&#8221;text_shadow_style,%91object Object%93&#8243; text_shadow_blur_strength_tablet=&#8221;1px&#8221; header_text_shadow_horizontal_length=&#8221;header_text_shadow_style,%91object Object%93&#8243; header_text_shadow_horizontal_length_tablet=&#8221;0px&#8221; header_text_shadow_vertical_length=&#8221;header_text_shadow_style,%91object Object%93&#8243; header_text_shadow_vertical_length_tablet=&#8221;0px&#8221; header_text_shadow_blur_strength=&#8221;header_text_shadow_style,%91object Object%93&#8243; header_text_shadow_blur_strength_tablet=&#8221;1px&#8221; body_text_shadow_horizontal_length=&#8221;body_text_shadow_style,%91object Object%93&#8243; 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animation_style=&#8221;flip&#8221; animation_direction=&#8221;left&#8221; box_shadow_style=&#8221;preset1&#8243; box_shadow_vertical=&#8221;0px&#8221; box_shadow_blur=&#8221;61px&#8221; box_shadow_spread=&#8221;4px&#8221; box_shadow_color=&#8221;rgba(0,0,0,0.15)&#8221; custom_css_main_element=&#8221;border-radius:4px !important;&#8221; force_fullwidth=&#8221;on&#8221; show_in_lightbox=&#8221;off&#8221; url_new_window=&#8221;off&#8221; use_overlay=&#8221;off&#8221; always_center_on_mobile=&#8221;on&#8221; show_bottom_space=&#8221;on&#8221; border_color_all=&#8221;#ffffff&#8221; border_width_all=&#8221;0px&#8221; border_style_all=&#8221;solid&#8221; align_last_edited=&#8221;on|desktop&#8221; align_tablet=&#8221;center&#8221;]<\/p>\n<p><\/p>\n<p>[\/et_pb_image][\/et_pb_column][et_pb_column type=&#8221;1_2&#8243; custom_padding__hover=&#8221;|||&#8221; custom_padding=&#8221;|||&#8221;][et_pb_post_title admin_label=&#8221;T\u00cdTULO DE LA P\u00c1GINA (Autom\u00e1tico)&#8221; meta=&#8221;off&#8221; featured_image=&#8221;off&#8221; _builder_version=&#8221;3.0.85&#8243; title_level=&#8221;h2&#8243; title_font=&#8221;Muli|700||on|||||&#8221; title_font_size=&#8221;18px&#8221; custom_margin=&#8221;6px|||&#8221; title_line_height=&#8221;1.1em&#8221;]<\/p>\n<p><\/p>\n<p>[\/et_pb_post_title][et_pb_text _builder_version=&#8221;3.0.85&#8243; text_font=&#8221;Muli||||||||&#8221; header_font_size=&#8221;20px&#8221; header_2_font=&#8221;Muli||||||||&#8221; header_3_font=&#8221;Muli||||||||&#8221; header_4_font=&#8221;Muli||||||||&#8221; header_4_font_size=&#8221;16px&#8221; header_3_font_size=&#8221;19px&#8221; header_2_font_size=&#8221;22px&#8221; header_5_font=&#8221;Muli||||||||&#8221; header_5_font_size=&#8221;15px&#8221; background_layout=&#8221;light&#8221; text_orientation=&#8221;left&#8221;]<\/p>\n<p>\n<strong>Author<\/strong>: Martha Elizabeth Laguna Enrique<br \/>\n<strong>Year of Publication<\/strong>: 2016<br \/>\n<strong>Publisher<\/strong>: CEXECI<br \/>\n<strong>Collection<\/strong>: Tesis doctorales<br \/>\n<strong>Number<\/strong>: 1<br \/>\n<strong>ISBN<\/strong>: 978-84-943954-3-7<br \/>\n<strong>Price<\/strong>: 15 EUR<\/p>\n<p align=\"justify\">The Hispanic cultural imprint in Latin America after the arrival of Europeans to the continent in 1492 and its control has important and endless consequences. In the case of Cuba, one of the last Spanish colonies in the Western hemisphere, this direct bond \u2013as is well known- lasted until the later part of the 19<sup>th<\/sup> century and was then reactivated in diverse ways during the first half of the past century along with the successive waves of migration of Spaniards to the Caribbean which continued to enrich the cultural wealth of the islands. It is pertinent to note that the National Museum of Fine Arts in Havana, founded in 1913, is Cuba\u2019s most important museum institution. The importance and variety of its collections and the number of works gathered \u2013approximately forty seven thousand and seven hundred pieces- including paintings, engravings, sculptures, drawings, ceramics, etc.-, make it the leading museum in the insular Caribbean and one of the most important ones in Latin America. This is the 2nd Research Prize CEXECI to Doctoral Theses.<\/p>\n<p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PUBLICACIONES NOMBRE DE LA COLECCI\u00d3N Author: Martha Elizabeth Laguna Enrique Year of Publication: 2016 Publisher: CEXECI Collection: Tesis doctorales Number: 1 ISBN: 978-84-943954-3-7 Price: 15 EUR The Hispanic cultural imprint in Latin America after the arrival of Europeans to the continent in 1492 and its control has important and endless consequences. In the case of [&hellip;]<\/p>\n","protected":false},"author":3,"featured_media":208255,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"<p>[et_pb_section bb_built=\"1\" _builder_version=\"3.0.47\"][et_pb_row admin_label=\"ENCABEZADOS\" _builder_version=\"3.0.85\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\"][et_pb_column type=\"1_4\"][et_pb_text admin_label=\"TITULO SECCI\u00d3N\" _builder_version=\"3.0.85\" text_font=\"Muli|600|||||||\" text_font_size=\"33px\" text_text_color=\"#7cda24\" text_text_shadow_style=\"preset3\" text_text_shadow_color=\"rgba(0,0,0,0.28)\" header_font_size=\"31px\" header_text_shadow_style=\"preset3\" text_orientation=\"right\" module_alignment=\"right\" custom_padding=\"|20px||\" header_font=\"Muli||||||||\"]<\/p><h1>PUBLICACIONES<\/h1><p>[\/et_pb_text][\/et_pb_column][et_pb_column type=\"3_4\"][et_pb_text admin_label=\"TITULO COLECCI\u00d3N\" _builder_version=\"3.0.85\" text_font=\"Muli|600|||||||\" text_font_size=\"33px\" text_text_color=\"#7cda24\" text_text_shadow_style=\"preset3\" text_text_shadow_color=\"rgba(0,0,0,0.28)\" header_font_size=\"31px\" header_text_shadow_style=\"preset3\" module_alignment=\"right\" custom_padding=\"|20px||\" header_font=\"||||||||\" header_2_font=\"Muli||||||||\" custom_margin=\"5px|||\"]<\/p><h2>NOMBRE DE LA COLECCI\u00d3N<\/h2><p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=\"3.0.47\" background_size=\"initial\" background_position=\"top_left\" background_repeat=\"repeat\"][et_pb_column type=\"1_4\"][et_pb_sidebar area=\"et_pb_widget_area_8\" _builder_version=\"3.0.85\" header_font=\"|700||on|||||\" body_font=\"Muli||||||||\"]<\/p><p>\u00a0<\/p><p>[\/et_pb_sidebar][\/et_pb_column][et_pb_column type=\"1_4\"][et_pb_image src=\"https:\/\/www.fundacionyuste.org\/wp-content\/uploads\/2018\/03\/portada-TESIS-web.jpg\" align=\"center\" _builder_version=\"3.0.85\" use_border_color=\"on\" border_width=\"0px\" custom_margin=\"0px|0px|0px|0px\" animation_style=\"flip\" animation_direction=\"left\" box_shadow_style=\"preset1\" box_shadow_vertical=\"0px\" box_shadow_blur=\"61px\" box_shadow_spread=\"4px\" box_shadow_color=\"rgba(0,0,0,0.15)\" custom_css_main_element=\"border-radius:4px !important;\" force_fullwidth=\"on\" show_in_lightbox=\"off\" url_new_window=\"off\" use_overlay=\"off\" always_center_on_mobile=\"on\" show_bottom_space=\"on\"]<\/p><p>\u00a0<\/p><p>[\/et_pb_image][\/et_pb_column][et_pb_column type=\"1_2\"][et_pb_post_title admin_label=\"T\u00cdTULO DE LA P\u00c1GINA (Autom\u00e1tico)\" meta=\"off\" featured_image=\"off\" _builder_version=\"3.0.85\" title_level=\"h2\" title_font=\"Muli|700||on|||||\" title_font_size=\"18px\" custom_margin=\"6px|||\" title_line_height=\"1.1em\"]<\/p><p>\u00a0<\/p><p>[\/et_pb_post_title][et_pb_text _builder_version=\"3.0.85\" text_font=\"Muli||||||||\" header_font_size=\"20px\" header_2_font=\"Muli||||||||\" header_3_font=\"Muli||||||||\" header_4_font=\"Muli||||||||\" header_4_font_size=\"16px\" header_3_font_size=\"19px\" header_2_font_size=\"22px\" header_5_font=\"Muli||||||||\" header_5_font_size=\"15px\" background_layout=\"light\"]<\/p><p><strong>Autor:<\/strong>\u00a0Martha Elizabeth Laguna Enrique<br \/><strong>Fecha de publicaci\u00f3n:<\/strong>\u00a02016<br \/><strong>Editorial:<\/strong>\u00a0CEXECI<br \/><strong>Colecci\u00f3n:<\/strong>\u00a0Tesis doctorales<br \/><strong>N\u00famero:<\/strong> 1<br \/><strong>ISBN:<\/strong>\u00a0978-84-943954-3-7<br \/><strong>Precio:<\/strong> 15 euros<\/p><p>La huella cultural hispana en Am\u00e9rica Latina tras la llegada de los europeos al continente en 1492 y el ulterior dominio del mismo tuvo importantes e innumerables consecuencias. En el caso de Cuba, una de las \u00faltimas posesiones coloniales de Espa\u00f1a en el hemisferio occidental, este v\u00ednculo directo, como es sabido, se prolong\u00f3 hasta las postrimer\u00edas del siglo XIX, para luego reactivarse de diversas maneras durante la primera mitad de la pasada centuria, con las sucesivas olas migratorias de espa\u00f1oles al Caribe, que continuaron enriqueciendo el acervo cultural de las islas. Resulta oportuno se\u00f1alar que el Museo Nacional de Bellas Artes de La Habana, fundado en 1913, constituye la m\u00e1xima instituci\u00f3n muse\u00edstica de Cuba. La variedad e importancia de sus colecciones y el volumen de obras reunidas -alrededor de cuarenta y siete mil setecientas piezas, entre pinturas, grabados, esculturas, dibujos, cer\u00e1micas, etc.-, lo convierten en el m\u00e1s destacado en el contexto del Caribe insular y uno de los m\u00e1s importantes de Latinoam\u00e9rica. Tesis ganadora del Segundo Premio de Investigaci\u00f3n CEXECI a Tesis Doctorales.<\/p><p>\u00a0<\/p><p>[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>","_et_gb_content_width":"","_links_to":"","_links_to_target":""},"categories":[201,192],"tags":[209],"_links":{"self":[{"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/posts\/211789"}],"collection":[{"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/comments?post=211789"}],"version-history":[{"count":0,"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/posts\/211789\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/media\/208255"}],"wp:attachment":[{"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/media?parent=211789"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/categories?post=211789"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.fundacionyuste.org\/en\/wp-json\/wp\/v2\/tags?post=211789"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}